In most cities today, fire has been reduced to a sporadic and isolated threat. But throughout history the constant risk of fire has left a deep and lasting imprint on almost every dimension of urban society. This volume, the first truly global study of urban conflagration, shows how fire has shaped cities throughout the modern world, from Europe to the imperial colonies, major trade entrepôts, and non-European capitals, right up to such present-day megacities as Lagos and Jakarta. Urban fire may hinder commerce or even spur it; it may break down or reinforce barriers of race, class, and ethnicity; it may serve as a pretext for state violence or provide an opportunity for displays of state benevolence. As this volume demonstrates, the many and varied attempts to master, marginalize, or manipulate fire can turn a natural and human hazard into a highly useful social and political tool.
Early descriptions of the Great Plains often focus on a vast, grassy expanse that was either burnt or burning. The scene continued to burn until the land was plowed under or grazed away and broken by innumerable roads and towns. Yet, where the original landscape has persisted, so has fire, and where people have sought to restore something of that original setting, they have had to reinstate fire. This has required the persistence or creation of a fire culture, which in turn inspired schools of science and art that make the Great Plains today a regional hearth for American fire.
Volume 5 of To the Last Smoke introduces a region that once lay at the geographic heart of American fire, and today promises to reclaim something of that heritage. After all these years, the Great Plains continue to bear witness to how fires can shape contemporary life, and vice versa. In this collection of essays, Stephen J. Pyne explores how this once most regularly and widely burned province of North America, composed of various subregions and peoples, has been shaped by the flames contained within it and what fire, both tame and feral, might mean for the future of its landscapes.
Included in this volume:
Originally published in 1882, Clarence Dutton’s Tertiary History of the Grand Cañon District has become one of the definitive books on the Grand Canyon. Commissioned as a study of the region’s geology and issued by the fledgling U.S. Geological Survey, it is as much admired today for its literary as its scientific merits. With its beautiful illustrations by Thomas Moran and William Henry Holmes, it is a seminal work on the Canyon that has never been surpassed for its eloquence and authority.
This new edition of Dutton’s magnum opus makes that work available once again. Visitors to the Canyon will gain a new appreciation of its majesty as Dutton takes readers on several excursions among its castellated and cathedral-like peaks and ridges. Along the way, he explains the peculiar characteristics of different rocks, the water-sculpturing process, volcanic cones and outflows, the extent of the river’s erosion, and other geological features.
Dutton’s Tertiary History remains arguably the most evocative and compelling geological writing ever done on the Grand Canyon region. As Stephen J. Pyne observes in his foreword, Dutton “recast a rocky peninsula into geo-poetry, reshaped an amorphous panorama of Time into narrative History, and transformed an American scene into a universal symbol.” No one who has thrilled to the majesty of the Grand Canyon will fail to be moved by this timeless work.
From boreal Alaska to subtropical Florida, from the chaparral of California to the pitch pine of New Jersey, America boasts nearly a billion burnable acres. In nine previous volumes, Stephen J. Pyne has explored the fascinating variety of flame region by region. In To the Last Smoke: An Anthology, he selects a sampling of the best from each.
To the Last Smoke offers a unique and sweeping view of the nation’s fire scene by distilling observations on Florida, California, the Northern Rockies, the Great Plains, the Southwest, the Interior West, the Northeast, Alaska, the oak woodlands, and the Pacific Northwest into a single, readable volume. The anthology functions as a color-commentary companion to the play-by-play narrative offered in Pyne’s Between Two Fires: A Fire History of Contemporary America. The series is Pyne’s way of “keeping with it to the end,” encompassing the directive from his rookie season to stay with every fire “to the last smoke.”
It has become commonplace these days to speak of “unpacking” texts. Voice and Vision is a book about packing that prose in the first place. While history is scholarship, it is also art—that is, literature. And while it has no need to emulate fiction, slump into memoir, or become self-referential text, its composition does need to be conscious and informed.
Voice and Vision is for those who wish to understand the ways in which literary considerations can enhance nonfiction writing. At issue is not whether writing is scholarly or popular, narrative or analytical, but whether it is good. Fiction has guidebooks galore; journalism has shelves stocked with manuals; certain hybrids such as creative nonfiction and the new journalism have evolved standards, esthetics, and justifications for how to transfer the dominant modes of fiction to topics in nonfiction. But history and other serious or scholarly nonfiction have nothing comparable.
Now this curious omission is addressed by Stephen Pyne as he analyzes and teaches the craft that undergirds whole realms of nonfiction and book-based academic disciplines. With eminent good sense concerning the unique problems posed by research-based writing and with a wealth of examples from accomplished writers, Pyne, an experienced and skilled writer himself, explores the many ways to understand what makes good nonfiction, and explains how to achieve it. His counsel and guidance will be invaluable to experts as well as novices in the art of writing serious and scholarly nonfiction.
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